- SONG MEANINGS THE OFFSPRING GONE AWAY HOW TO
- SONG MEANINGS THE OFFSPRING GONE AWAY SKIN
- SONG MEANINGS THE OFFSPRING GONE AWAY FREE
A lovely sound rose up from their delicate footsteps, as they returned to their father. And the black earth echoed and reechoed to their singing. (53–67)Īfter their birth, they went to the top of Olympus with their divine song, delighting in their beautiful voices. From their lips they sing a lovely song, celebrating with praise the privileges and solicitous behavior of all the immortals. By their side also the Charites (“Graces”) and Himeros (“Desire7rdquo ) dwell amidst delightful abundance. There on Olympus they perform their lovely dances and have their beautiful home.
SONG MEANINGS THE OFFSPRING GONE AWAY FREE
When it was due time, after the seasons had come round and the months had passed and the many days were completed, near the highest peak of snowy Olympus, she gave birth to nine daughters, all of like disposition, with hearts committed to song and minds free from care. For nine nights clever Zeus lay with her, mounting her holy bed, apart from the other immortals. Mnemosyne (“Memory”), the mistress of Eleutherae on Mount Helicon bore them in Pieria, after mingling with the son of Cronus. And then in turn, singing about the race of human beings and that of the powerful giants, they delight the mind of Zeus on Olympus-these Olympian Muses, daughters of aegis-bearing Zeus, who bring forgetfulness of ills and cessation of sorrows. Next they begin by extolling Zeus, father of both gods and men and they end their song with him, praising the extent to which he is pre-eminent among the gods and the greatest in might. Pouring forth their divine music, first of all they celebrate in song the revered race of the gods from the very beginning, those whom Gaia and Uranus bore and the deities, givers of good things, who were their offspring. The peaks of snowy Olympus and the homes of the gods resound. The sweet sound flows from their tireless lips and the household of loud-thundering Zeus, their father, laughs in joy at their song, resounding pure as a lily. You then, come, let us begin with the Muses, who by their song delight the great mind of Zeus on Olympus, as they reveal with harmonious voices, the things that are and the things that are to be and the things that were before. Hesiod begins his hymn to the Muses once again: But enough of this digression about my personal encounter with the Muses amidst the oaks and stones of the mountain. Plucking a branch, to me they gave a staff of laurel, a wondrous thing, and into me they breathed a divine voice, so that I might celebrate both the things that are to be and the things that were before and they ordered me to honor, in my song, the race of the blessed gods who exist forever, but always to sing of them themselves, the Muses, both first and last.
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They, the Muses, once taught Hesiod beautiful song, while he was shepherding his flocks on holy Mount Helicon these goddesses of Olympus, daughters of aegis-bearing Zeus first of all spoke this word to me, “Oh, you shepherds of the fields, base and lowly things, little more than bellies, we know how to tell many falsehoods that seem like truths but we also know, when we so desire, how to utter the absolute truth.” Thus they spoke, the fluent daughters of great Zeus. From here they set forth, enveloped and invisible in an impenetrable mist and proceed on their way in the night, singing hymns with exquisite voice in praise of: Zeus, who bears the aegis, and his queen Hera, of Argos, who walks on golden sandals, and bright-eyed Athena, daughter of aegis-bearing Zeus, and Phoebus Apollo, and Artemis, who delights in shooting arrows, and Poseidon, who firmly embraces the earth and violently shakes it, and revered Themis, and Aphrodite, with her seductive eyes, and golden-crowned Hebe, and beautiful Dione, and Leto, and Iapetus, and wily Cronus, and Eos, and great Helius, and bright Selene, and Earth, and great Oceanus, and black Night, and the holy race of the other immortals, who live forever.
SONG MEANINGS THE OFFSPRING GONE AWAY SKIN
After they have bathed their soft skin in the brook, Permessus, or Hippocrene, “The Horse’s Spring,” or the holy Olmeius, at the very peak of Helicon they perform their choral dances, lovely and enticing, with firm and flowing steps. Round about the waters of a violet-hued spring they dance on delicate feet, and also round the altar of Zeus, the mighty son of Cronus. With the Heliconian Muses let us begin to sing, who have as their own Mount Helicon, lofty and holy. He begins his Theogony with a hymn to the Muses: Here is the continuous text of Hesiod (based upon substantive excerpts of the most important lines).